例句與造句

1. They used these tunes in their compositions, which are characterized by the asymmetrical rhythms and modal harmonies of that music.
2. In European folk music, such asymmetrical rhythms are commonly used in Bulgaria, Greece, elsewhere in the Balkans, Norway and Sweden.
3. There is no question of Tippett's individuality; he has an intuitive grasp of asymmetrical rhythm equal to the chief 20th-century innovators, and his complex manipulations of tonality display organic strength.
4. Stravinsky, like Bart髃, used asymmetrical rhythms throughout his chamber music; the Histoire du soldat, in Stravinsky's own arrangement for clarinet, violin and piano, constantly shifts time signatures between two, three, four and five beats to the bar.
5. The American jazz composer, Dave Brubeck, well known for his exploration of asymmetrical rhythms in his own music, used a variant of the rhythm of the Kalamatianos for his Unsquare Dance, though the measures are divided into two groups of 4 followed by 3 beats rather than 3 followed by 4.
6. It's difficult to find asymmetrical rhythm in a sentence. 用asymmetrical rhythm造句挺難的
7. Though she had little prior musical experience ( and had never played drums ), Mori quickly developed a distinctive style : One critic describes her as " a tight, tireless master of shifting asymmetrical rhythm ", while Lester Bangs wrote that she " cuts Sunny Murray in my book " His comment is no small praise, as Murray is widely considered a major free jazz drummer.
8. William Austin, writing in 1956 in " The Musical Quarterly, " observes that " through recordings and published scores . . . [ Palmer's ] fairly large but scattered audience can now confirm the predictions of Paul Rosenfeld and Aaron Copland that Palmer would rank among the leading musical representatives of his generation . " Austin notes " the works [ Palmer ] creates are taut and sturdy " and cites as characteristic Palmer's use of asymmetrical rhythm and meter, the octatonic scale, " imitative counterpoint " and " expansion of phrases by varied repetition . " Austin holds that " Palmer sings with a kind of devout serenity " of the " grim, divided, disappointed world of the 1940s and'50s, doggedly refusing to despair, no matter how often its hopes for liberty, equality and fraternity must be deferred . ..